Thursday, January 31, 2013

Rec. #272: Weight


What: Author Jeanette Winterson retells the myth of Atlas and Heracles. A tale of traps and bargains and freedom and trickery! The book is not very long, but it is smart, smart, depressing, and smart.

Comparable to: Weight is part of the The Myths --- a multi-country project of myths retold by critically fawned-over authors, including David Grossman, Margaret Atwood, Ali Smith, and Michel Faber.

Opening lines: "The free man never thinks of escape."

Representative quote: "I am good at walking away. Rejection teaches you how to reject."

Bonus representative quote: "What can I tell you about the choices we make? Fate reads like the polar opposite of decision, and so much of life reads like fate."

How to get it: You'll probably need to buy it used or get it from the library.

Connections to previous Wreckage: The Penelopiad, by Margaret Atwood, is also part of The Myths project. I recommended it during Personal Wreck Week (List #3). Also check out Jeanette Winterson's other (non-myth) books, including The Passion (Rec. #66).

Friday, January 25, 2013

Friday Flashback: Rec. #5: Rope

I decided to start doing Friday Flashbacks in case you missed some early posts the first time around. You're busy; I understand.


What: In Rope, Jimmy Stewart plays an of-the-moment character who realizes too late what cool, clinical cynicism can lead to. This Alfred Hitchcock film gives everyone involved a chance to show off. The story was a stage play first, and the single-room set reflects that, allowing the actors to showcase their Craft. Meanwhile, Hitchcock demonstrates his innovation and technical skill by shooting the entire film in just 10 takes. (Fun party game! Spot the cuts!)

Representative quote: "Good and evil, right and wrong were invented for the ordinary, average man, the inferior man, because he needs them."

You might not like it if: You're in a "been there, done that" place with Hitchcock. Alternately, you might believe this can't possibly be a Hitchcock movie because you don't see any blondes.

How to get it: Rent it or buy it --- after being unavailable for decades, the film is now pretty easy to find. You also have a good-ish chance of catching it on TCM sometime. When you're done watching the movie, check out the IMDb and Wikipedia entries on it. Trivia galore for film geeks!


[Originally posted 1/4/11.]


Also: Check out the Hitchcock entry in my blog index. There's a lot there.

Tuesday, January 22, 2013

Rec. #271: Tamara Drewe


What: Tamara Drewe is Posy Simmonds's modernized, satirical take on Thomas Hardy's Far from the Madding Crowd --- she gets her characters into a rural setting via a writer's retreat. Her story started as a weekly comic serial in The Guardian before becoming an award-winning a graphic novel.

Opening lines:
"Assholes!"
"Oh come on, Glen, they're just bored . . . holidays've gone on too long . . . just mindless."
"But that's what I object to! I mean if they threw stuff with a purpose . . . like they see us and think: hey, writers! Let's egg the self-regarding sacks of shit."
"Maybe they did."

You might not like it if: Satire! Struggling writers! The British countryside! Adultery! Rock star ex-fiances! Mid-life ennui! Stalkers! Plotting! Sheep! What's not to like?

How to get it: Buy it or borrow it. The paperback edition is a super good deal right now on Amazon.

Connections to previous Wreckage: The graphic novel was made into a movie in 2010. I haven't seen it, but Tamsin Greig is in it, so how bad could it be? We love Tamsin Greig! See Black Books (Rec. #68), Green Wing (Rec. #110), and The Half (Rec. #178) for evidence of why she's great.

Friday, January 18, 2013

Friday Flashback: Rec. #9: No Ordinary Matter

I decided to start doing Friday Flashbacks in case you missed some early posts the first time around. You're busy; I understand.


What: Author Jenny McPhee excels at combining disparate themes and topics in delightful ways. The novel No Ordinary Matter brings together soap operas, musicals, private detection, and neurology. It sounds frenetic, but somehow it's not. McPhee's tone is playful, yet grounded.

Comparable to: Some of the farce of Shakespearean comedy, a pinch of Shannon Olson's tone, with a dash of Tom Robbins-type flights of fancy.

Representative quote: "Veronica began to put her clothes back on. She sensed impending doom and wanted to be dressed for it."

You might not like it if: You have absolutely no interest in, or curiosity about, the writing of soap operas, the creation of musicals, the practice of private detection, or the theories of neurology.

How to get it: It's probably available in your library system, it's possibly in stock at your local bookstore, and it's definitely downloadable to your Kindle.


[Originally posted 1/8/11.]

See also: McPhee's first novel, The Center of Things, was Rec. #214.

Friday, January 11, 2013

Friday Flashback: Rec. #219: The Awful Truth

I decided to start doing Friday Flashbacks in case you missed some early posts the first time around. You're busy; I understand.


What: The Awful Truth is a classic 1930s screwball comedy, a fine example of its type. The dapper Cary Grant and the sublime Irene Dunne play a soon-to-be-divorced couple who spend most of the movie sabotaging each other's new relationships.

Comparable to: Do you love Asta in the Thin Man films? Of course you do. Well, the same dog plays the pivotal role of Mr. Smith here. Watch the hat.

Opening lines: "Come on, Haig, get that sun lamp ready."

Representative dialogue:
"What do we drink to?"
"Well, let's drink to our future. Here's hoping you and Barbara will be very happy, which I doubt very much."
"No, let's drink to your happiness with Buffalo Bill, which doesn't even make sense."

Bonus representative quote: "In the spring, a young man's fancy lightly turns to what he's been thinking about all winter."

You might not like it if: You've seen some of the other versions of this movie (from 1925, 1929, or 1953), and you are now Over It.

How to get it: Careful here. This is a common title and the particular story itself has been remade a few times. If you want this version — and I think you do — look for The Awful Truth from 1937 with Cary Grant and Irene Dunne.

Connections to previous Wreckage: Get your fix of classic screwball with The Palm Beach Story (Rec. #17), The Miracle of Morgan's Creek (Rec. #65), and Midnight (Rec. #194).


[Originally posted 1/22/12.]

Friday, January 4, 2013

Friday Flashback: Rec. #218: Bellwether

I decided to start doing Friday Flashbacks in case you missed some early posts the first time around. You're busy; I understand.


What: Intrigued by my fervent recommendations of To Say Nothing of the Dog and Blackout/All Clear (see below), but don't want to commit to 500+ pages without knowing what you're getting into? There are worse places to start than here, with Connie Willis's breezy take on herd mentality and corporate culture.

The main players in Bellwether are Sandra Foster (a fads researcher), Bennett O'Reilly (a chaos theorist), Billy Ray (a convenient provider of sheep), and Flip (a very inconvenient force of nature).

Comparable to: As she does in To Say Nothing of the Dog, Willis throws many disparate threads of knowledge together in such a way that you start thinking of Robert Browning, chaos theory, genius grants, trust exercises, flagpole-sitters, and Far from the Madding Crowd as inextricably and irrevocably linked together.

Opening lines: "Hula Hoop (March 1958–June 1959) — The prototype for all merchandising fads and one whose phenomenal success has never been repeated."

Representative quote: "The only thing I was aware of was that Flip had thoughtfully crumpled each clipping into a wad before stuffing them into the trash can, and that there was no way I could get them all smoothed out tonight, and, as a result, I was not only oblivious to the first event in a chain of events that was going to lead to a scientific discovery, but I was about to miss the second one, too. And the third."

You might not like it if: You've already read To Say Nothing of the Dog and are looking for something on that scope. Or at least for something that involves time travel.

How to get it: Buy it or borrow it. It's in print and also Kindle-able.

Connections to previous Wreckage: Blackout/All Clear (Gift Idea #1) is Connie Willis's latest success, but To Say Nothing of the Dog (Rec. #100) is still the most beloved one.


[Originally posted 1/21/12.]

Tuesday, January 1, 2013

List #23: A Few of the Best Movies I Watched in 2012



Beginners: "And what about the chair, is it gay?"  "The chair is not gay, obviously."



Moonrise Kingdom: "Why do you consider me your enemy?"  "Because your girlfriend stabbed me in the back with lefty scissors."  "She's my wife now."



The Queen of Versailles: "We never set out to build the biggest house in America. It just kind of happened."



Silver Linings Playbook: "You have poor social skills. You have a problem."  "I have a problem? You say more inappropriate things than appropriate things."

List #22: A Few of the Best Books I Read in 2012


The Beginning of Spring, Penelope Fitzgerald: "With the ruthlessness of the timid, Miss Kinsman was coming after him now to suggest that she would be suitable for the post of governess at 22 Lipka Street."


Fadeaway Girl, Martha Grimes: "I cleared my throat, which at least showed I could make a sound, balled up my fist in front of my mouth as if I were about to cough, rehearsed the word 'hello' in my head to see if it was a real word, then blurted out: 'My name is Emma Graham.""


The Red House, Mark Haddon: "Behind everything there is a house. Behind everything there is always a house, compared to which every other house is larger or colder or more luxurious."


Random Harvest, James Hilton: "This idea of unsameness as the pattern of life meant that (as Blampied put it) they didn't think there was anything very odd in anyone being a little odd."


Bel Canto, Ann Patchett: "It makes you wonder. All the brilliant things we might have done with our lives if we only suspected we knew how."


The Happy Exiles, Felicity Shaw: "The only things he was afraid of were boredom and blackmail."