Friday, February 27, 2015

Friday Flashback: Rec. #83: Away We Go

I decided to start doing Friday Flashbacks in case you missed some early posts the first time around. You're busy; I understand.


What: I really expected to be annoyed by this movie. But it did not annoy me! In fact, I really like it (hence the recommendation). Burt and Verona, who are expecting their first child, embark on a trip across the U.S., visiting friends and family as they try to find a place to settle down. 

Away We Go walks some tricky lines successfully. The funnier (but less subtle) segments end before they become annoying, and the tone of the film is sincere without becoming too twee. The cast (including Catherine O'Hara, Jeff Daniels, Allison Janney, and Maggie Gyllenhaal) is amazing, with a particularly noteworthy performance from Maya Rudolph as Verona. Why did we not give her all the awards? All of them.

Comparable to: I have seen it compared to (500) Days of Summer and Garden State, but I really did not particularly like (500) Days of Summer or Garden State. So.

Representative quote: "Do you promise that if I die some embarrassing and boring death that you're going to tell our daughter that her father was killed by Russian soldiers in this intense hand-to-hand combat in an attempt to save the lives of 850 Chechnyan orphans?"

You might not like it if: You actually wanted it to be more hipster-y and more twee. Or I may have altered your expectations to such an extent that you're expecting no hipster-y, no twee. So, fair warning: It is kinda hipster-y.

How to get it: It actually is a good movie to watch with your parents/children (as applicable), but you should maybe pretend that it starts when Burt and Verona are driving to Burt's parents' house. That opening scene would be very uncomfortable to watch in mixed generational company.




[Originally posted 3/24/11.]


Wednesday, February 25, 2015

List #51: Great Books, Terrible Titles, Part 2



Ghostwritten, David Mitchell (Rec. #180)

Why the book is great: Mitchell's gorgeous writing spans continents and people and time.

Why the title is terrible: When you say the words, "David Mitchell's first book was ghostwritten," it's very, very easy for people to get the wrong idea.


The Object of My Affection, Stephen McCauley (Rec. #360)

Why the book is great: It's an honest look at how we make connections to other people, what those connections mean, and what we're willing to sacrifice for them.

Why the title is terrible: It is plastic-y nonsense. This title could possibly fit with the tone of the book if the cover design were appropriately pensive and wry. None of the cover designs for this book are appropriately pensive and wry, though.


Social Studies, Fran Lebowitz (Rec. #347)

Why the book is great: Fran Lebowitz looks at the world around her and has Opinions about what she sees. She's like that one friend you have who's kind of mean, but very funny.

Why the title is terrible: It's just so middle school.


Territory, Emma Bull (Rec. #10)

Why the book is great: It's a Western for people who would haaaaate Westerns, if they ever even thought about them.

Why the title is terrible: Once again, a vague title is coupled with misleading cover art. I've said it before, and I'll probably say it again: there are no horses emerging from trees in this book. The alternative history is not that alternative.


Continue with Part 3 here!

Monday, February 23, 2015

List #51: Great Books, Terrible Titles, Part 1

Don't let the titles turn you off.



Beauty, Sheri S. Tepper

Why the book is great: The novel is a science fiction spin on fairy tales, incorporating dystopias and time-travel and space.

Why the title is terrible: So bland. There are a gazillion other books with the same title, and a lot of them are awful.


Boy Gets Girl, Rebecca Gilman (Rec. #36)

Why the book is great: Gilman's play follows the real world implications of romanticized creepiness, leaving us with a deeply unsettling stalker saga.

Why the title is terrible: It's meant to be a reference to hollow rom-com titles, but it just ends up actually being a hollow rom-com title. It is extremely challenging to convince people that the content is very, very different.


Brat Farrar, Josephine Tey (Rec. #200)

Why the book is great: It's one of the best mystery novels of all time. No lie.

Why the title is terrible: All those "r"s and open vowels. So freaking difficult to say while still sounding like you're making an actual word.


Crossing California, Adam Langer (Rec. #82)

Why the book is great: The novel follows a group of adolescents in Chicago in the late '70s/early '80s. Both the city and the characters are realized with startling immediacy.

Why the title is terrible: When your book is so thoroughly focused on being about the city of Chicago, you shouldn't give off the impression that it's about a road trip on the West Coast.


Do the Windows Open?, Julie Hecht (Rec. #321)

Why the book is great: The collection of stories looks at life through the eyes of one clever, nameless, neurotic narrator.

Why the title is terrible: I think the tone of the question is meant to be wistfully concerned, but it just comes across as odd and vaguely annoying.


Continue to Part 2 here and Part 3 here!

Friday, February 20, 2015

List #50: A Personal Wreck Interlude

[AKA, Possible Distractions as You Prepare to Have a Small Human Leave Your Body]


The situation is this:

  • Friend is pregnant (also buried in snow in Boston)
  • Pregnancy book suggested trying to watch a movie during early labor
  • Friend wanted suggestions ("I’m thinking something light-hearted. Selma is probably not the right choice for such a time.")


So, INITIAL THOUGHTS:

1. The Cutting Edge: nostalgia galore! a positive view of ice!

2. Easy A: maybe your daughter will be like Emma Stone! that'd be pretty cool! that makes you Patricia Clarkson!

3. Hairspray (2007 version): musics! power-singing your way to a new zeitgeist!

4. Miracle of Morgan's Creek (Rec. #65): screwball comedy goodness! about accidentally getting knocked up! which isn't your situation! but still!

5. Moonstruck (Rec. #275): an excellent way to channel strong emotions! "i lost my hand! i lost my girl! johnny has his hand! johnny has his girl!" plus cher!

6. Now You See Me: super fun nonsense! plus magic!


7. Pride (List #47): new! adorable! heartwarming! funny! a way to bring your daughter into the world on a rainbowy crest of social justice!

8. The Princess Bride: excellent yelling potential with the staggering number of quotable lines!



9. You Can't Take It With You (Rec. #327): a meet-the-parents screwball morality comedy! possible parenting tips! but probably not!


Tuesday, February 17, 2015

Quote from a Fictional Character #60



"The people you work with are people you were just thrown together with. I mean, you don't know them, it wasn't your choice. And yet you spend more time with them than you do your friends or your family. But probably all you have in common is the fact that you walk around on the same bit of carpet for eight hours a day."

--- Tim Canterbury,
The Office, 2001


Friday, February 13, 2015

Friday Flashback: Rec. #124: Magdalena the Sinner

I decided to start doing Friday Flashbacks in case you missed some early posts the first time around. You're busy; I understand.


What: Disguised as a nun, a woman named Magdalena kidnaps a priest at gunpoint. As they travel by motorcycle across Europe, she makes her extended, unrepentant confession.

Comparable to: It's funnier than you might think, though most of the humor is very deadpan. Like, Harold and Maude deadpan.

Representative quote: "The Frisian was of the opinion that you couldn't trust people, you had to distance yourself, keep as much space between you and them as possible. That should have made me stop and think ... that and the fact that when I met him he was lying in a coffin with a skull on his chest."

You might not like it if: You derive no enjoyment whatsoever from picturing a priest being held captive in the sidecar of a motorcycle.

How to get it: I read the English translation, not the original German text. If neither of those languages strike your fancy, I believe Lilian Faschinger's novel is also available in 15 others.




[Originally posted 5/13/11.]


Wednesday, February 11, 2015

Streaming Suggestion of the Week #8: Lars and the Real Girl



Stream what: Ryan Gosling is the titular Lars, an introverted young man who introduces his family to his new girlfriend --- a doll he ordered online.

Stream why: The tone isn't slapstick and mocking --- instead, the town takes the Capra-esque approach of going along with it. Plus, the strong writing makes Emily Mortimer, Paul Schneider, and Patricia Clarkson seem even better than usual.

Stream where: Netflix, Amazon Prime

Stream whuh?: Netflix rather cruelly describes Lars as "a delusional loner." Way harsh, Tai.


For more info: Rec. #196

Monday, February 9, 2015

Quote from a Fictional Character #59



"If a girl thinks you're in love with her and says she will marry you, you can't very well voice a preference for being dead in a ditch."

--- Bertie Wooster,
Much Obliged, Jeeves, P.G. Wodehouse, 1971

Friday, February 6, 2015

Friday Flashback: Rec. #152 (abbrev.): Eddie Izzard --- Dress to Kill

I decided to start doing Friday Flashbacks in case you missed some early posts the first time around. You're busy; I understand.


What: Comedy performance, eyeliner, San Francisco, grapefruit-coveting squirrel, European history, free association, snowboarding, bungalows, flags, religion, Heimlich maneuver, executive transvestite, Sean Connery impressions, stubborn virginity, scooters, druids, the American Dream, endless quotability

Representative quote: "Thank you for flying Church of England --- cake or death?"


See also:

And more Eddie Izzard:



[Originally posted 6/27/11.]


Wednesday, February 4, 2015

Rec. #366 (abbrev.): Fair Peril


What: Fairy tale, Nancy Springer, satire from a fantasist, suburbia, divorce, malls, storyteller, trophy wives, trans-frogification

Representative dialogue:
"Nine-one-one."
"Yes, my daughter just ran away with a naked fetch."
"A naked what, ma'am?"
"Fetch. Frog, fairy-tale prince, stud muffin, crotchthrob frog fairy ---"
"Name-calling won't help us, ma'am."

Monday, February 2, 2015

Quote from a Fictional Character #58



"I don't want to just be theoretically gay. I want to do something about it."

--- Hal Fields,
Beginners, 2010
(Rec. #249)
(List #23)