Friday, May 20, 2016

Friday Flashback: Rec. #78: Shadow of a Doubt

I decided to start doing Friday Flashbacks in case you missed some early posts the first time around. You're busy; I understand.



What: Once you realize that Shadow of a Doubt is a collaboration between Alfred Hitchcock and Thornton Wilder, the whole film clicks into place.

It's the story of two Charlies: Uncle Charlie Oakley, who's a vague sort of success out in the world, and Charlotte "Young Charlie" Newton, his niece and namesake. Young Charlie is frustrated with the confines of her family's small-town life --- then her adored Uncle Charlie comes to town.

As she slowly discovers another side of her uncle, the film slyly highlights the hundreds of small darknesses that creep into even the most idyllic settings.

Comparable to: As if a Hitchcock killer wandered onstage during a production of Our Town.

Representative quote: "We're not talking about killing people. Herb's talking about killing me, and I'm talking about killing him."

You might not like it if: You like your Hitchcock heroines blonde. You might be interested to know, however, that Hitchcock often said this was his favorite film. (It's my favorite of his, too.)

Connections to previous Wreckage: See List #30 for more Hitchcock films starring non-blondes.

Also, it's worth noting that, like The Miracle of Morgan's Creek (Rec. #65), Shadow of a Doubt features a witheringly clever younger sister.




[Originally posted 3/21/11.]


Friday, May 13, 2016

Friday Flashback: Rec. #248: Lincoln's Dreams

I decided to start doing Friday Flashbacks in case you missed some early posts the first time around. You're busy; I understand.


What: A historical researcher meets a woman who seems to be having (despite the title) Robert E. Lee's nightmares. This early novel from multiple-award-winner Connie Willis shows that the author came right out of the gate ready to wrestle with big life/death questions while armed with fiercely detailed historical research.

Comparable to: Lincoln's Dreams pivots around the Civil War and dreams, while the two-volume Blackout/All Clear centers on World War II and time travel. Both, however, demonstrate Willis's skill at turning our history into a shared, visceral, adventurous experience.

Opening lines: "Traveller died of lockjaw two years after Robert E. Lee died. I looked that up one day in February, the day I went out to see where Abraham Lincoln's son Willie had been buried. I had been looking for the grave for over a year, and when I finally found it in a biography of Mary Todd Lincoln, I ran out of the library still carrying the book. It set off an alarm, and one of the librarians came out on the steps and shouted after me, 'Jeff, are you all right? Jeff!'"

You might not like it if: It is very likely that this book will break your heart. Sorry.

How to get it: Buyable, borrowable, Kindle-able

Connections to previous Wreckage: Connie Willis can break your heart, yes, but she can also do satirical social comedy (Bellwether, Rec. #218) and mindbogglingly intricate sci-fi realism (Blackout/All Clear, Gift Idea #1, Rec. #355).

Or she can do all three at once (To Say Nothing of the Dog, Rec. #100).

Connie Willis can do whatever the heck she wants to, basically.



[Originally posted 6/24/12.]

Friday, May 6, 2016

Friday Flashback: Rec. #97: Charade

I decided to start doing Friday Flashbacks in case you missed some early posts the first time around. You're busy; I understand.



What: Charade is one of my favorite "Audrey Hepburn runs around Paris" films (of which there are several --- I have a whole list). In this one, she's being pursued by some sinister men who are after a mysterious fortune that was supposedly stolen by her recently murdered husband. 

Cary Grant runs around Paris with her, and the two Movie Stars are so charming you can almost forget the 25-year age gap that makes their on-screen romance kind of ooky. The mystery/suspense portions hold up remarkably well, thanks in no small part to the deliciously written bad guys.

Representative quote: "Of course, you won't be able to lie on your back for a while, but then you can lie from any position, can't you?"

Bonus representative quote: "She batted them pretty little eyes at you, and you fell for it like an egg from a tall chicken!" [that's from Tex, one of the baddies]

You might not like it if: When it first came out in 1963, some critics hated the movie because of its drastic tonal shifts, from suspense to comedy to romance and back again.

How to get it: Due to a copyright omission in the released print, this film is actually in the public domain, so it's not hard to find. The fabulous score by Henry Mancini is under copyright, though.

Connection to previous Wreckage: Audrey Hepburn is also menaced in Wait Until Dark (Rec. #26). Poor Audrey.

And see more of Hepburn running around Paris with List: #41: Audrey Hepburn Runs Around Paris.



[Originally posted 4/6/11.]